MOVING IMAGE SHORTS : TRANSFORMING LANDSCAPE - FULL DETAILS
12noon, SUNDAY 12TH SEPTEMBER
1h24m
NAOMI UMAN: KALENDAR / 10:00
Kalendar is part of Naomi Uman's 'Ukrainian Time Machine' series of films, created while living in the small Ukrainian village of Legedzine. Struggling to learn the Ukrainian language in July, the filmmaker came to understand that the months of the year signified something that occurs in nature at that time. This film/poem mimics the process of coming to understand a new language while also celebrating village life and its proximity to the land.
JANIS CRYSTAL LIPZIN: DE LUCE 1: VEGETARE / 5:00
De Luce 1 blends my enduring interest in nature's volatile events with my equally profound sympathy with film's unpredictable response to light. My conscious decision to begin with film is based on that medium’s unduplicable and capricious response to light. I use darkroom processes to produce outcomes that allude to but don’t truly describe color in the natural world. I then interweave the results with the more controllable properties of digital technology.
Janis Crystal Lipzin
STEVEN BALL: THE GROUND, THE SKY AND THE ISLAND / 7:45
This video reworks photographs, super 8 film, sound and anecdotal text from a series of bush and outback locations across Australia during the 1990s. It takes the form of extracts from an imagined first person journal, layered over extruded experiments with composition and movement constructing a synthetic shifting landscape. Moving through discrete but related sections, the abstracted view shifts vertically through 90 degrees between the closeness of the local, the ground, and the claustrophobia of the distant colonizing horizon. As it travels east from the South Australian desert, through bush, tablelands and rocky range, the video becomes a subjective essayistic meditation, in absentia, on being in the landscape, the problem of attempting to reproduce these landscapes and the uncertainty of their representation. At its inconclusion we arrive on K'gari (Fraser Island off the coast of Queensland) where we reach the edge of the known world, a space being made in an open future.
Steven Ball Website
SHAMBHAVI KAUL: SCENE 32 / 5:00
Scene 32 maps the terrain that lies between a given place and the
objects that represent it. The salt fields of Central Kutch are
examined through High Definition video and hand processed Hi
contrast 16mm film to become another thing altogether: neither a
specific location in India nor its representation, but a rebuilt
world of precipices and gullies, untouchable textures and
unfathomable scale. Nature becomes an inhospitable territory of
longing invested with the memories of imagined events.
RICHARD ASHROWAN: LAMENT / 11:09
An exploration of the Anglo/Scots borderline, one of the oldest borders in the world, an enquiry into the meanings that might be revealed at its heart and within its landscape. This piece taked on the nature of a visual, philosophical, historical and yet deeply personal meditation. A diffusion of boundaries between the real and the unreal, the seen and the imagined, the present and the past, lie at the heart of the work. These streams of images seek to move beyond perception to arrive at an embodied material consciousness, drawn from an intense and elemental engagement with nature.
Richard Ashrowan Website
RAINER GAMSJÄGER: STATE OF FLUX: WAVE 1-3 / 11:00
The videoseries “State Of Flux” can be understood as a nature study in the broadest sense. Initial point was the interest in chaotic systems and their behaviour, here especially water and waterstreams in a therefore created “digital parallelspace”. The water keeps on flowing, but it flows somehow different. The raw footage was exclusevly shooted at barrages, places where the brute power of water is utilized. Energy is transformed from one form into another. In “State Of FluX” a new field is emerging, that moves energy through space and time.
Rainer Gamsjäger Website
SEMICONDUCTOR: HELIOCENTRIC / 15:11
Semiconductor is artist duo Ruth Jarman and Joe Gerhardt. Heliocentric uses time-lapse photography and astronomical tracking to plot the sun's trajectory across a series of landscapes. The entire environment feels to pan past the camera whilst the sun stays in the centre of each frame, enabling us to gauge the earth's rotation and orbit around the sun. As the Suns light becomes disrupted by passing weather conditions and the environment through which we encounter it, it audibly plays them as if it were a stylus.
Semiconductor Website
EMILY RICHARDSON: COBRA MIST / 6:45
Cobra Mist explores the relationship between the landscape of Orford Ness and the traces of its military history, particularly the experiments in radar and the extraordinary architecture of the Atomic Weapons Research Establishment. Much of what took place there is still under the official secrets act so will only be revealed over time. The film records the physical traces of it’s often secretive past using the photographic nature of 16mm film and time lapse to construct an impossible experience of the landscape and expose its history to the camera. The soundtrack is composed by Benedict Drew from sound recordings taken from Orford Ness by Chris Watson.
Emily Richardson Website
TOMONARI NISHIKAWA: LUMPHINI 2552 / 3:00
Images were shot by a still camera, Nikon F3, entirely at Lumphini Park in Bangkok. The hand-processed visual shows organic patterns found in the monumental park, constructing systematic yet emotional rhythms on the screen. The sound is from visual information on the optical soundtrack that also was captured while taking pictures by the still camera, may produce the sense of the existence of a recording device at the location. Lumphini is named for Lumbini, a Sanskrit word of the birthplace of the Buddha in Nepal, and 2552 is the Buddhist year (Buddha Era) of 2009.
Tomonari Nishikawa Website
ELKE GROEN: NIGHT STILL / 9:00
Accompanied by fragile sounds a few flocks of clouds hurry over the peaks of the Dachstein mountain range. Behind windows at solitary mountain stations, lights blink like Morse code. Gondolas flit past as if in flight. Thick blankets of fog envelop cliffs. A windmill spins. Here and there human figures appear, resembling phantoms in the snowy white. The moon climbs in the sky, glows, falls, disappears, then rises again. Elke Groen’s NightStill, just under nine minutes long, is a filmic survey of the Dachstein region in Austria’s Alps. However it has nothing in common with a documentary record, serving as a confrontation between the givens (a landscape, artifacts and living beings; the sky, weather and the light) and a film technique which has always possessed the ability to alienate.
Elke Groen Website
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2011 SUBMISSIONS
Submissions are now officially closed, but please do contact us if you think you might have something we should not miss. We cannot guarantee to review late submissions.
This year's Alchemy Film and Moving Image Festival will be exploring landscape and the four elements: earth, air, fire and water,
whether interpreted literally, metaphorically or catastrophically.
The deadline for submissions was 10 June 2011
FULL 2010 PROGRAMME
Friday 10th September 2010
Saturday 11th September 2010
- 10am to 4.30pm - Weaving The Towerhouse (installation), Borders Textile Towerhouse, Free
- 10am to 4.30pm - Voyage (installation), Borders Textile Towerhouse, Free
- 10am to 4.30pm - Alchemist (installation), Tower Mill, Free
- 11am - Seeing Landscape, Tower Mill, £3
- 2pm - Trouble Sleeping (VOMO Film), Tower Mill, £3
- 2pm - Mixed Programme Hawick Film & Video Group, 8 Croft Road, £3
- 4.30pm - I Know Where I’m Going & Speaking The Land, Tower Mill, £3
- 7.30pm - Follow The Master, Tower Mill, £3
- 9pm-11pm "-Scape", (Live Moving Image), Tower Mill, Free
Sunday 12th September 2010
- 10am to 4.30pm - Weaving The Towerhouse (installation), Borders Textile Towerhouse, Free
- 10am to 4.30pm - Voyage (installation), Borders Textile Towerhouse, Free
- 10am to 4.30pm - Alchemist (installation), Tower Mill, Free
- 12 noon - Transforming Landscape, Tower Mill, £3
- 2.30pm - The Edge of Dreaming (plus Hymn to the Road), Tower Mill, £3
- 2.30pm - The Kite Runner, LIttle Theatre Film Club, 8 Croft Road, £3
Download printed pdf programme
TICKETS
VisitScotland
Heart of Hawick – Tower Mill
Kirkstile
Hawick TD9 0AE
01450 360688 [Box Office] & 01450 373993 [Visitor Information Centre]
Tickets £3 per event unless otherwise stated. Limited number of Weekend Tickets available at £15 on first come, first served basis. Weekend tickets exclude VOMO [Trouble Sleeping], Hawick Film & Video Group and Little Theatre Film Club [The Kite Runner] screenings.
We regret Heart of Hawick cannot exchange or refund tickets.
Box Office : Opening Hours
Monday 1000 - 1730
Tuesday 1000 - 1815
Wednesday 1000 - 1730
Thursday 1000 - 1815
Friday 1000 - 1945
Saturday 1000 - 1945
Sunday 1200 - 1530
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